Painting, Science, and the Perception of Coloured Shadows: ‘The Most Beautiful Blue’ - Science and the Arts since 1750

Paul Smith

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Painting, Science, and the Perception of Coloured Shadows: ‘The Most Beautiful Blue’ - Science and the Arts since 1750

This multi-disciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value from Wittgenstein and Merleau-Ponty).

176 pages, 32 Halftones, color; 40 Halftones, black and white; 32 Illustrations, color; 40 Illustrat