Music Theory in the Age of Romanticism (Revised)

Brief Description: Twelve brilliant historians of theory probe the mind of the Romantic era in its thinking about music. Review Quotes: 'These tightly-focused essays complement the considerable achievement of Ian Bent in bringing 19th-century music theory to the attention of musicology.' Julian Rushton, Musical TimesReview Quotes: '... anyone working on the aesthetics of music, and indeed the history of aesthetics in general, will find much interesting and illuminating material here.' British Journal of AestheticsMarc Notes: The mechanics of sensation and the construction of the romantic musical experience / Leslie David Blasius -- F. W. J. Schelling's Philosophie der Kunst: an emergent semiology of music / Ian Biddle -- Fetis and emerging tonal consciousness / Thomas Christensen -- Romantic music under siege in 1848 / Sanna Pederson -- Second immediacies in the Eroica / Brian Hyer -- Plato-Beethoven: a hermeneutics for nineteenth-century music? / Ian Bent -- Intersubjectivity and analysis: Schumann's essay on the Fantastic symphony / Fred Everett Maus -- The concept of developpement in the early nineteenth century / Peter A. Hoyt -- A. B. Marx and the gendering of sonata form / Scott Burnham -- --wie ein rother Faden: on the origins of Leitmotif as critical construct and musical practice / Thomas Grey -- Musical invariance as a cognitive structure: multiple meaning in the early nineteenth century / Janna K. Saslaw and James P. Walsh; Includes bibliographical references. Review Quotes: '? anyone working on the aesthetics of music, and indeed the history of aesthetics in general, will find much interesting and illuminating material here.' British Journal of AestheticsReview Quotes: ?These tightly-focused essays complement the considerable achievement of Ian Bent in bringing 19th-century music theory to the attention of musicology.? Julian Rushton, Musical TimesReview Quotes: ?? anyone working on the aesthetics of music, and indeed the history of aesthetics in general, will find much interesting and illuminating material here.? British Journal of AestheticsReview Quotes: ?The project Bent has undertaken here is a large and admirable one, namely to demonstrate how musicians in the 19th century thought about and described music, and there are few people in this field who are better qualified to do this. Bent surveys the fascinating diversity of approaches to analysis of that century (ranging from the verbal, diagrammatic, tabular and notational to the graphic) and relates these to the equally manifold purposes for which analysis was then pursued ?? BrioReview Quotes: ???These tightly-focused essays complement the considerable achievement of Ian Bent in bringing 19th-century music theory to the attention of musicology.??? Julian Rushton, Musical TimesReview Quotes: ★★★★★★ anyone working on the aesthetics of music, and indeed the history of aesthetics in general, will find much interesting and illuminating material here.??? British Journal of AestheticsReview Quotes: ???The project Bent has undertaken here is a large and admirable one, namely to demonstrate how musicians in the 19th century thought about and described music, and there are few people in this field who are better qualified to do this. Bent surveys the fascinating diversity of approaches to analysis of that century (ranging from the verbal, diagrammatic, tabular and notational to the graphic) and relates these to the equally manifold purposes for which analysis was then pursued ★★★★★★ BrioTable of Contents: Part I. Cultural and Philosophical Frameworks: 1. The mechanics of sensation and the construction of the Romantic musical experience Leslie David Blasius; 2. F. W. J. Schelling's Philosophie der Kunst: an emergent semiology of music Ian Biddle; 3. Fetis and emerging tonal consciousness Thomas Christenden; 4. Romantic music under siege in 1848 Sanna Pederson; Part II. Hermeneutics, Analysis, Criticism: 5. Second immediacies in the Eroica Brian Hyer; 6. Plato Beethoven: a hermeneutics for nineteenth-century music? Ian Bent; 7. Intersubjectivity and analysis: Schumann's essay on the Fantastic Symphony Fred Everett Maus; Part III. Rhetoric, Metaphor, Musical Perception: 8. The concept of developpement in the early nineteenth century Peter A. Hoyt; 9. A. B. Marx and the gendering of sonata form Scott Burnham; 10. ... wie ein rother Faden: on the origins of 'Leitmotif' as critical construct and musical practice Thomas Grey; 11. Musical invariance as a cognitive structure: 'multiple meaning' in the early nineteenth century Janna K. Saslaw and James P. Walsh; Index."Review Quotes: 'The project Bent has undertaken here is a large and admirable one, namely to demonstrate how musicians in the 19th century thought about and described music, and there are few people in this field who are better qualified to do this. Bent surveys the fascinating diversity of approaches to analysis of that century (ranging from the verbal, diagrammatic, tabular and notational to the graphic) and relates these to the equally manifold purposes for which analysis was then pursued ' Brio"Review Quotes: ' anyone working on the aesthetics of music, and indeed the history of aesthetics in general, will find much interesting and illuminating material here.' British Journal of AestheticsReview Quotes: 'anyone working on the aesthetics of music, and indeed the history of aesthetics in general, will find much interesting and illuminating material here.' British Journal of Aesthetics"